For today’s entry I’ve posted my evening post from The Spin, a Tumblr blog dedicated to my vinyl record collection. Enjoy.
As I’ve mentioned in previous Spin posts, I haven’t put much conscious effort into adding Beatles records to my collection. Not only are worthwhile copies usually outside my spending threshold on any given day, but I kind of harbor this notion that at some point in the (not too distant?) future I will actually commit to bulking up on these Liverpudlian lads’ library. And when I do I want to do it right. Should I go all mono or all stereo? Should I look for particular pressings (about which I known nothing at this point) or just pursue quality in general? Until I sort all of this out, I sort of just take whatever comes my way. Which is how I came into this rather shoddy copy of Let It Be.
I honestly don’t remember how this came into my possession, but I think it may have been one of several records Cydnee’s mom donated to the cause about two years ago. Which was cool. Despite the rather sad circumstances under which it was recorded, it’s always been one of my favorite Beatles efforts. Sure, you come for classics like “Across the Universe” and the album’s famed title track, but you stay for the more obscure ditties like “I’ve Got A Feeling,” “For You Blue,” and “One After 909.” The whole thing is a testament to the fact that even when the band’s chemistry and endurance was up against the ropes, these guys still managed to put out a collection of kick ass music.
The shame of it all is that this record is practically unlistenable. It’s not warped or scratched, but for some reason the pitch of every song ebbs and flows from start to finish, making it sound like someone is slowing it down and then speeding it up at random intervals. I don’t know why, but it kinda sucks. Still, the album looks pretty cool, which is something. I guess.
It also came with like 20 photocopies that someone decided to make from the album’s iconic cover. I wonder why…
Then there’s Yesterday and Today. Again, I don’t know how it came into my possession (see the above theory for a possible explanation) but I’m glad it did.
Released in 1966, the album is a compilation of tracks from the band’s two most recent British LPs at the time—Help! and Rubber Soul—as well as a few from the upcoming Revolver. Unfortunately the copy I have is not one of the original pressings, which came with an entirely different cover, known in most circles as “The Butcher Cover.” Here’s what it looked like:
Yeah, I know. There’s a very interesting story behind this original cover, as well as the reasons why it was eventually changed. To read all about it click here. Obtaining a “Butcher Cover” copy of Yesterday and Today is considered a Holy Grail in most vinyl collector circles, so until I set out on that particular pilgrimage this one will have to do. Besides, the cover of the one I have still has an interesting little anecdote. Notice who’s sitting inside the trunk? Yup. That image is just one of many supposed “Paul Is Dead” clues littered throughout Beatles lore. And the music isn’t half bad either.